Mustafa Jane Rehmat Pe Lakhon Salam Lyrics: Meaning, History & Full Text

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Mustafa Jane Rehmat Pe Lakhon Salam Lyrics Hindi

मुस्तफ़ा जान-ए-रहमत पे लाखों सलाम
शम्अ-ए-बज़्म-ए-हिदायत पे लाखों सलाम

मेहर-ए-चर्ख़-ए-नुबूव्वत पे रौशन दुरूद
गुल-ए-बाग़-ए-रिसालत पे लाखों सलाम

शहरयार-ए-इरम, ताजदार-ए-हरम
नौ-बहार-ए-शफ़ाअत पे लाखों सलाम

शब-ए-असरा के दूल्हा पे दाइम दुरूद
नौशा-ए-बज़्म-ए-जन्नत पे लाखों सलाम

अर्श की ज़ैब-ओ-ज़ीनत पे अर्शी दुरूद
फ़र्श की तैब-ओ-नुज़हत पे लाखों सलाम

हम ग़रीबों के आका पे बे-हद दुरूद
हम फ़क़ीरों की सरवत पे लाखों सलाम

दूर-ओ-नज़दीक के सुनने वाले वो कान
कान-ए-लअ़ल-ए-करामत पे लाखों सलाम

जिस के माथे शफ़ाअत का सेहरा रहा
उस जबीन-ए-सआदत पे लाखों सलाम

जिन के सजदे को मेहराब-ए-काबा झुकी
उन भवों की लताफ़त पे लाखों सलाम

जिस तरफ़ उठ गई, दम में दम आ गया
उस निगाह-ए-इनायत पे लाखों सलाम

नीची आँखों की शर्म-ओ-हया पर दुरूद
ऊँची बीनी की रिफ़अत पे लाखों सलाम

पतली पतली गुल-ए-क़ुद्स की पत्तियाँ
उन लबों की नज़ाकत पे लाखों सलाम

वो दहन जिस की हर बात वही-ए-ख़ुदा
चश्मा-ए-इल्म-ओ-हिकमत पे लाखों सलाम

वो ज़बान जिस को सब “कुन” की कुंजी कहें
उस की नाफ़िज़ हुकूमत पे लाखों सलाम

जिस की तस्कीन से रोते हुए हँस पड़े
उस तबस्सुम की आदत पे लाखों सलाम

हाथ जिस सम्त उठ-था ग़नी कर दिया
मौज-ए-बहर-ए-समाहत पे लाखों सलाम

जिस को बार-ए-दो-आलम की परवा नहीं
ऐसे बाज़ू की क़ुव्वत पे लाखों सलाम

जिस सुहानी घड़ी चमका तैयबा का चाँद
उस दिल-अफ़रोज़ साअत पे लाखों सलाम

किस को देखा ये मूसा से पूछे कोई
आँखों वालों की हिम्मत पे लाखों सलाम

ग़ौस-ए-आज़म इमामुत-तक़ा-वन्नुक़ा
जल्वा-ए-शान-ए-क़ुदरत पे लाखों सलाम

एक मेरा ही रहमत में दावा नहीं
शाह की सारी उम्मत पे लाखों सलाम

काश! महशर में जब उन की आमद हो और
भेजें सब उन की शौकत पे लाखों सलाम

मुझ से ख़िदमत के क़ुदसी कहें हाँ रज़ा
मुस्तफ़ा, जान-ए-रहमत पे लाखों सलाम

Mustafa Jane Rehmat Pe Lakhon Salam Lyrics In English

Mustafa Jaan-e-Rahmat Pe Laakhon Salaam
Sham’-e-Bazm-e-Hidayat Pe Laakhon Salaam

Mehr-e-charkh-e-nubuvvat pe raushan durood
Gul-e-baagh-e-risaalat pe laakhon salaam

Shahrayaar-e-iram, taajdaar-e-haram
Nau-bahaar-e-shafa’at pe laakhon salaam

Shab-e-asra ke dulha pe daaim durood
Nausha-e-bazm-e-jannat pe laakhon salaam

‘Arsh ki zaib-o-zeenat pe ‘arshi durood
Farsh ki teeb-o-nuzhat pe laakhon salaam

Hum gareebon ke aaqa pe be-had durood
Hum faqiron ki sarwat pe laakhon salaam

Door-o-nazdeek ke sunne waale wo kaan
Kaan-e-la’l-e-karaamat pe laakhon salaam

Jis ke maathe shafa’at ka sehra raha
Us jabeen-e-sa’aadat pe laakhon salaam

Jin ke sajde ko mehraab-e-ka’ba jhuki
Un bhavon ki lataafat pe laakhon salaam

Jis taraf uth gayi, dam mein dam aa gaya
Us nigaah-e-inaayat pe laakhon salaam

Neechi aankhon ki sharm-o-haya par durood
Unchi beeni ki rif’at pe laakhon salaam

Patli patli gul-e-quds ki pattiyan
Un labon ki nazaakat pe laakhon salaam

Wo dahan jis ki har baat wahi-e-khuda
Chashma-e-ilm-o-hikmat pe laakhon salaam

Wo zabaan jis ko sab “Kun” ki kunji kahein
Us ki naafiz hukoomat pe laakhon salaam

Jis ki taskeen se rote huye hans padein
Us tabassum ki aadat pe laakhon salaam

Haath jis samt uth-tha gani kar diya
Mauj-e-bahr-e-samaahat pe laakhon salaam

Jis ko baar-e-do-‘aalam ki parwa nahin
Aise baazoo ki quwwat pe laakhon salaam

Jis suhaani ghadi chamka tayba ka chaand
Us dil-afroz sa’at pe laakhon salaam

Kis ko dekha ye Moosa se poochhe koi
Aankhon waalon ki himmat pe laakhon salaam

Gaus-e-aa’zam imamu-ttuqa-wannuqa
Jalwa-e-shaan-e-qudrat pe laakhon salaam

Ek mera hi rahmat mein da’wa nahin
Shah ki saari ummat pe laakhon salaam

Kaash! mahshar mein jab un ki aamad ho aur
Bhejein sab un ki shaukat pe laakhon salaam

Mujh se khidmat ke qudsi kahein haan Raza
Mustafa, Jaan-e-Rahmat Pe Laakhon Salaam

Musical Composition and Vocal Performance

Because this is a naat rather than a studio-produced film track, the “composition” here means something different than in commercial music. There’s usually no elaborate instrumental arrangement most renditions rely on the human voice, sometimes with light daf (hand-drum) percussion or a simple harmonium line underneath, so the words stay front and center.

What actually distinguishes one reciter’s version from another is:

• Melodic phrasing (the lay): how long a note is held on words like “salam,” which can turn a single refrain into an emotional peak each time it repeats.
• Pacing: slower renditions lean toward quiet reflection; faster, more rhythmic versions are common at group gatherings where the audience repeats the refrain together.
• Vocal ornamentation: some qaris add subtle taans (melodic runs) on key words, while others keep the delivery deliberately plain to emphasize humility.

This is also why the same lyrics can feel completely different depending on who’s reciting them the words are fixed, but the emotional delivery is where individual reciters leave their mark.

How the Words Build the Song’s Impact

The repeated refrain “lakhon salam” (“a hundred thousand salutations”) is doing specific work here. Repetition in devotional poetry isn’t filler; it mimics the act of repeated prayer itself, so reciting or listening to the refrain becomes almost a ritual rather than just a lyric.

Each verse typically adds a new angle of praise rather than restating the same idea, which is a common structural choice in salaam poetry it keeps a long piece from feeling repetitive by rotating through different attributes (mercy, light, guidance) while the refrain anchors the listener back to the same emotional center every time.

That combination a fixed anchor plus rotating imagery is a large part of why naats like this stay memorable enough that people are still searching for the exact lyrics years or decades after first hearing them.

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